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It stands in opposition to a society that joins egalitarian aesthetics-the notion that the perfect cultural product appeals to all-to an economic system whose inequalities become more glaring by the day. Halperin speaks of a ‘tension between egalitarian ethics and hierarchical aesthetics’ in gay taste he sees it as a snobbery not of class but of knowledge, open to all who can hold their own. Perhaps the historic devotion to theatre, opera, high fashion, and other venerable disciplines will wither away, but it seems likely that many gay kids will still feel the trauma of difference and go on seeking refuge in artier spheres. As he points out, sexuality is the area where gay men differ least from straight men… Gay taste is something more singular, probably linked to incipient feelings of dissimilarity from one’s peers… Halperin is right to defend the old rituals and the lingo and body language that go with them… So long live camp, and all the other cultural pursuits that gay people have traditionally embraced. Halperin observes, as others have before him, that gay boys often display stereotypical tastes long before sex enters the picture.
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“ How To Be Gay celebrat the sharp-elbowed camp culture that many now consider obsolete… How can someone be gay without having seen Mildred Pierce or The Wizard of Oz? To answer that, you first have to know what such movies have to do with being gay. It’s a kaleidoscopic book that at its base breaks with what the author calls ‘the Brokeback Mountain crowd.’ He urges gay men to take their so-called femininity out of ‘homosexuality’s newly built closet,’ to see it plainly and to give it affirmative interpretations. Halperin even neatly mows down hipster irony in the face of the kind of gay male irony that defines camp. His funny shorthand for this is: ‘Why would we want Edmund White, when we still have The Golden Girls?’ …He is excellent, too, on how classical tragedy is nearly always about men, or fathers and sons… Dozens of similar arguments are rehearsed in How To Be Gay.
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He is articulate about many other things in this book, including how gay men often find more resonance in straight cultural artifacts than in gay ones. “ provocatively argues that when it comes to defining what it means to be a homosexual man, sex is overrated… Culture matters more… is never a bore… explores a fundamental kind of gay sensibility… Halperin teases an enormous amount out of scene, including the sense of ‘glamour and abjection’ gay audiences find in Crawford, and how the film packages the ‘transgressive spectacle of female strength, autonomy, feistiness and power.’ …Halperin works up to an argument (impossible to summarize here) about how the film evokes a ‘dissident perspective’ on the very idea of romantic love. ” -Adam Mars-Jones, London Review of Books “ How To Be Gay is…written by a gifted thinker and writer who has come to see that there is not just a political and sexual gay culture (its foundational event the rioting outside the Stonewall Inn in 1969), based on gay identity rather than sensibility, but also a nonsexual gay culture, based on modes of feeling and expressive artifacts.